Mariele Neudecker / Press
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VITA PRESS EXHIBITIONS |
Kataloge und Publikationen / Catalogues and Publications (Auswahl / Selection) 2011 XVIII. Rohkunstbau MACHT, Ausst.-Kat., Hg.Dr. Arvid Boellert, Rohkunstbau, Potsdam Belvedere. Warum ist Landschaft schön? Why is Lanscape Beautiful?, Ausst.-Kat., Hg. Oliver Kornhoff, Arp Museum Bahnhof Rolandseck 2008 Wonder - Singapore Biennale 2008, Singapore Wonder - Guide, Singapore Biennale 2008, Singapore Command and Control, Ausst.-Kat., Standpoint Gallery, London This Thing Called Darkness, Ausst.-Kat., Towada Art Center, Japan 10,000 to 50 - Contemporary Art from the Members of Business Arts, Ausst.-Kat., Irish Museum of Modern Art, Dublin 2007 Sculpture Today, Judith Collins, Phaidon Much Was Decided When You Were Born (Artist Project), Mariele Neudecker , CABINET MAGAZINE NEW YORK, Issue 27 Fall 2007 ‘Mountains’, S.76-80 Cartography – Map-Making as Art Form, Crawford Art Gallery Cork Skulpturenführer Münsterland – 42 Positionen zeitgenössischer Kunst im Münsterland, Aktion Münsterland e.V, Münster Reality Bites - Making Avant-Garde Art in Post-Wall Germany, Ausst.-Kat., Mildred Lane Kemper Art Museum Tania Kovats: Mariele Neudecker, from: Salvator Rosa: Wild Landscapes, Compton Verney 2006 In Profile – Mariele Neudecker – Image, Music and Text 2002-2005 (vol.2), Essay von Shirley McWilliams, Published by Picture This Moving Image Ungleichzeitigkeiten der Europäischen Romantik, Alexander von Bormann, Königshausen & Neuman 2005 In Profile – Mariele Neudecker –Sculptural and Video Installation Works 1997-2002 (vol.1), Essay von Francis McKee, published by Picture This Moving Image Mariele Neudecker – Kindertotenlieder, Opera North Projects and Picture This 2004 Over and Over, Again and Again, Texte von David Blayney Brown und Douglas Young, Tate St Ives Frieze Yearbook, Frieze Art Fair, London Zwischenwelten, Museum Haus Esters Krefeld Brightness –works from the Thyssen-Bornemisza Contemporary Art Foundation, Museum of Modern Art Dubrovnik MW Projects, London 2003 micro/macro - British Art 1996-2002, Ausst.-Kat., The BritishCouncil / Kunsthalle Budapest Liquid Sea, Museum of Contemporary Art, Sydney Winterreise - A Winter‘s Journey, Opera North, Leeds 2002 Mariele Neudecker: Between Us, Texte von Emma Posey und Angela Kingston, Chapter and Howard Gardens Gallery, Cardiff Der Berg, Ausst. – Kat., Heidelberger Kunstverein, Heidelberg 2001 Mariele Neudecker - Until Now, Texte von Juliana Engberg und Claire Doherty, Künstlerhaus Bethanien / Galerie Barbara Thumm, Berlin IMAGINATION-Romantik, Ausst.-Kat., Kulturamt der Stadt Jena/Jenoptik Romanticism - David Blayney Brown, Hg. Richard W. Gassen, Phaidon Utopien heute? Kunst zwischen Vision und Alltag, Ausst.-Kat., Wilhelm-Hack-Museum, Ludwigshafen Humid, Ausst.-Kat., Spike Island, Bristol Bright Paradise, The 1st Auckland Triennial, Auckland, Neuseeland Skulptur Biennale Münsterland, Hg. Christoph Tannert, Kreis Steinfurt 2000 Landscape, The British Council ArtLineV, Interaktionen, Natur und Architektur Richard Wentworth’s Thinking Aloud, national touring exhibition, Hayward Gallery, London The Saatchi Gift to the Arts Council Collection, ACE, South Bank Centre, London 1999 Mariele Neudecker, Texte von Eszter Barbarczy, Maite Lorés und Francis McKee, 1stSite at the Minorites Signs of Life, Katalog, The International Melbourne Biennale 1998 Travelogue, Travelling Gallery, Edinburgh Cultivated, Texte von Stephen Hepworth und Katherine Wood, Firstsite, Colchester Nature of Man, Texte von Cecilia Nelson und Pontus Kyander, Konstall Lunds The House in the Woods, CCA, Glasgow Here to Stay, The Arts Council Collection, Purchases of the 1990s, Arts Council Collection, London The Discerning Eye, Mall Galleries, London live/live - the artistic scene in the U.K. in 1996 with new initiatives - (artist run spaces), Musee d’Art Moderne de la Ville, Paris 1997 7th International Biennial of Sculpture and Drawing, EDCR – Bienal International De Escultura e Desegno Das Caldas Da Rai, Portugal 1996 Private View, A temporary exhibition of contemporary British & German art, Henry Moore Institute, Leeds 1994 BT New Contemporaries, Barry Baker, Patricia Bickers, Rachel Whiteread, London Art(s) d’Europe, Galerie de l’Esplanande, Pepinieres, Paris 1993 Mariele Neudecker, Texte von Laszlo Beke und Eszter Barbarczy, Pepieniere Europeennes pour Jeunes Artistes Artikel / Articles (Auswahl / Selection) Darvent, Charles, Fourth Plinth, St Martin in the Field, in: The Independent on Sunday, The Critics, London, 05.09.2010 Brown, Mark, Fourth Plinth artists get cocky, in: The Guardian, 20.08.2010 Searle, Adrian, Poignant Boy on the Rocking Horse takes the gold, in: The Guardian, 20.08.2010 Hasting, Rob, The battle of Trafalgar Square: Six artists vie for fourth plinth spot, in: The Independent, 20.08.2010 Gormley, Anthony, This site is a challenge to artists, in: The Independent, 20.08.2010 Akbar, Arifa, Cockerels, cashpoints and cake next for fourth plinth, in: The Independent, 20.08.2010 Campbell-Johnston, Rachel, Artists seek a plinth finish in first race of the Olympics, in: The Times, 20.08.2010 Singh, Anita, Birds eye view, Fourth plinth shortlist, in: Daily Telegraph, 20.08.2010 Jury, Louise, Chicken, giant cake and pipe organ in battle of Trafalgar Square fourth plinth, in: Evening Standard, 19.07.2010 Luke, Ben, Absurd, powerfull, witty … it’s a difficult choice for the selection jury, in: Evening Standard, 19.07.2010 Subrahmanian, Madhvi, Rediscovering landscapes at Cityhall, in: Singapore Business Times, September 2008 Reality Crossings, European Photography - Art Magazine, No. 82, Volume 28, Issue 2, Winter 2007-2008 (with DVD) Pietsch, Hans, Die unheimliche Kälte der Romantik, in: art - das Kunstmagazin, Nr. 10 / Oktober 2007, S. 36 – 40 Griffin, Jonathan, Mariele Neudecker, in: Frieze, October 2006, p. 266 Coslovich, Gabriella, Mortality at corner of La Trobe and Queen, in: The Age, AU, 15.09.2006 Januszczak, Waldemar, Scenes through a glass starkly, in: Sunday Times (UK), 13.06. 2004 McCulloch, Susan, MCA swims into wider waters, Liquid Sea, MCA Sydney, in: Weekend Australian, 12.-13.04. 2003, p. 21 Davidson, Kate, Journeying to other worlds: Liquid sea at the Museum of Contemporary Art, Sydney, in: Art Monthly Australia, No. 161, July 2003, p. 29-32 Probyn, Elspeth, Serious might of the main, in: The Australian, 2.04.2003, p.33 Phillips, Christopher, Crosscurrents in Yokohama, in: Art in America, January 2001, p.84-91 Van Lierop, Bernard, The Ironic Sublime, in: Planet, Issue 156, December 2002/January 2003, p. 32 – 38 Jeffrey, Moira, Total object Complete with Missing Parts, Tramway, Glasgow, review in: The Herald, 10.09.2001 Hergeth, Andreas, Romantik aus Plexiglas, in: taz berlin, 27./28.10.2001 Mariele Neudecker erhält Botho-Graef-Kunstpreis, in: Thüringer Landeszeitung TLZ, 06.10.2001 Roick, Bärbel, Kühl-subtile Romantik-Adaption, in: Ostthüringer Zeitung OTZ, 08.10.2001 Schultz, Deborah, ‚The Conquest of Space’ - On the Prevalence of Maps, in: Contemporary Art, Henry Moore Institute Essays on Sculpture 35, Leeds 2001 Key, Philip, Magic of the Sea, Liverpool Daily Post, 13.07.2001 Reardon, Valerie, Humid, in: Art Monthly, No. 4, 2001, p. 36 - 38 Imdahl, Georg, Der sechste Schornstein sucht einen Betrachter - Die zweite Skulptur-Biennale im Münsterland, in: Frankfurter Allgemeine Zeitung, 12.07.2001 Kohler, Michael Kohler, Die Abgeschlossenheit Arkadiens, in: Die Welt, 03.07.2001 Searle, Adrian, If you go down to the woods today...., The Guardian, 3.10.2000 Battista, Kathy, Mariele Neudecker, Make Magazine, Sept./Nov., 2000 Lubbock, Tom, Strictures at an exibition, The Independent, 10.10.2000 von Planta, Regina, Mariele Neudecker in der Ikon Gallery, Kunstbulletin 10/2000 Guyton, Marjori Althorpe / Glinkowski, Paul, Solid Foundations, Tate Magazine, Winter 2000, p. 62-64 Utopias, Mead Gallery, in: Art Monthly, November 2000, p. 30- 33 The Henry Moore Foundation, Issue No. 9, Winter 2000, Exhibitions Safe, Emma, Mariele Neudecker, in: VCA, December 2000, p. 68 Mariele’s World of images and sound, in: Evening Gazette, 13.12.2000 Gooding, Darren, Mariele Neudecker at Minories, Essex Country Standard, 29.12.2000, p. 27 Carvill, Sonia, Welcome to her dream-like world, The East Anglian Daily Times, 8.12.2000 Mariele Neudecker profile, in: art review, October 2000, p. 57 Profile: Mariele Neudecker, True romance, in: Tate Magazine, Winter 2000 Cumming, Laura, Dense forests, drifting snow..., in: The Observer, 7.10.2000 Hemming, Sarah, Shedding new light on art, Daily Express, 30.09.2000 Grimley, Terry, Atmospheric art in a box, in: The Birmingham Post, 11.10.2000 Gustafson, John, New Art Examiner, June 1999, p .42-43 Fredericksen, Eric, Don’t Know Much, The Stranger, Vol.8, No.44, 22.-28.07.1999, p.89 Rose, Cynthia, Harris shows artist’s take on romanticism, The Seattle Times, 22.07.1999,p. 22 Josslin, Victoria, Neudecker’s distorted maps remind one of biases, Seattle PostIntelligencer, 1999 Josslin, Victoria, Never Eat Shredded Wheat, Art Review, Seattle Post-Intelligencer, 23.07.1999 Hunt, Ian, Mariele Neudecker, Spike Island, Bristol, October 31 to November 30, in: Art Monthly 98-99 Buck, Louisa, Faces Places and Spaces to watch in 1998, in: New Statesman, 2.01.1998 Lorés, Maite, Other Voices, other places, Contemporary Visual Arts, January 1998, p.44-49 The Halted Traveller, Mariele Neudecker, Bergens Kunstforeining, KUNST, Feb. 1998, p.18 Schonfelder, Lotte, Sesongapping med stort specter, Bergens Tidende, 5.02.1998, p. 28 The Boredom Factor, Blueprint, February 1998,#147, p. 42 Gjesvik, Toril, A fange verden BT, 14.02.1998, (Review the halted traveller) Fricke, Harald, Berlins größter Promi als erotische Bühne, Kunst in Berlin jetzt: Jonathan Meese, Mariele Neudecker, Tom Burr, Wand und Boden, Die Tageszeitung, 4./5.07.1998 Böker, Carmen, Seestücke, Berliner Zeitung, 06.07.1998 Stiller, Veit, Mariele Neudecker: Die Welt als Fiktion und Wirklichkeit, Die Welt, 14.07.1998 Schöner Schiffbruch, Mariele Neudeckers wäßrige Wunderwelt, Ticket, Juli 1998 Neil Cooper, The House in the Woods, List, April 1998 Barrett, David, Mariele Neudecker – Review, in: Frieze, May 1998 Morley, Simon, The Friedrich Factor, in: Contemporary Visual Arts, Issue 19, pp.26-33 ill. Allerholm, Milou, Lekfulla utsnitt ur en filtread nature, Dagens, Nyheterna 7, 07.06.1998 Orstadius, Brita, Människans nature, Boras Tidning, 22.06.1998 Beck, Ingamaj, Tack, menjag är matt, Aftonbladet, 12.06.1998 Tojner, Poul Erik, Lunds konsthall somarutställin handlar om naturen, bade den därute och den därinne - människans väsen. Människan och de bägge naturerna, Sydsvenskan, 22.06.1998 Zeylon, Hakan, Fantasifullt om var nature, Skanska Dagbladet, 9.06.1998 Ahlström, Crispin, Stig in och lat dig betrakas!, GP, 23.06.1998 Bonde, Lisbeth, Tilbage til unaturen, Information, 30.06.1998 Olofson, Stefan, Människans natur pa Lunds konsthall, in: Skanska Dagbladet, 30.05.1998 Ström, Eva, Ruiner och ogräs, Svenska Dagbladet, 13.06.1998 Klinthage, Jörgen, Kraftmätning mellan objekt och reum, Arbetet Nyheterna, 27.06.1998, pp.5 Klinthage, Jörgen, Konst som tänjer gränserna, Hallandsposten, 25.06.1998 Wachtmeister, Marika, Natur som överraskar, Kristianstadsbladet, 27.06.1998 McEwen, John, A fashion for death and erotica, The Sunday Telegraph, Review, 22.11.1998 Anthony, Andrew, Why be a YBA? , in: The Observer, Review, 22.11.1998 Jones, Jonathan, Water Worlds, The Guardian, 1998 Herbert, Martin, Light - Richard Salmon, Time Out (22-29 Jan.97) de Charmant, Anne, Le soleil se lève sur l’east end, MUSÉART, p.118/119, (ill.) NO.66, janvier 1997 Fever, William, A bonfire of inanities (Belladonna), The Observer Review, 02.02.1997, p.12 Hell’s belles, Sarah Kent on Belladonna, Time Out 12.-19.02.1997 For the record, The Young and the Restless, The Art Newspaper, No.67, February 1997 Sladen, Mark, Belladonna, ICA, Art Monthly, March 1997, No. 204, p.36-37 Hedley, Gill, Who’s buying who?, Visual Arts, p.10 (ill.), The Guardian, 17.06.1997 Cork, Richard, Curios and curiouser, Times, 2.06.1996 Barrett, David, Private View, Art Monthly, (July-August issue) Open Your Art to me, East London Advertiser, 25.06.1996 Feaver, William, A bad case of trite and tested, The Observer Review p.11, (ill.), (28. July) Masterson, Piers, Lightness and Weight, - Custard Factory, Birmingham, Untitled No.11, Summer 1996 Godfrey, Tony, Private View - Bowes Museum, Untitled No.11 (ill), Summer 1996 Coomer, Martin, Open Verdict, Time Out, (August 7-14) Mac Ritchie, Lynn, Quirky works set the scene, Financial Times, 4.08.1996 Gayford, Martin, The East End’s Answer to the Summer Show, The Daily Telegraph, 7.08.1996 Cross, Andrew, The Whitechapel Open, Art Monthly, (September issue, p.42, ill.) Neudecker, Mariele, The Air we Breathe is invisible, Artists Newsletter, November 1996, p.49 I Hajdu, Erintok – In and out of touch, Bezselo, (ill.), (June issue) I D Udvary, Erintok – In and out of touch, Balkon Art Magazine, 1995 (summer issue) KMB, In and out of touch, Tip (Berlin), (3. Woche, August) Berg, Ronald, In and out of touch, Tagesspiegel, 20.08.1995 Feaver, William, Ban soap, charcoal and childhood memories, The Observer, 15.05.1994 Hall, James, The British Open, The Guardian, 23.05.1994 Bencsik, Barnabas, Uitz Terem, Balkon Art Magazine, (ill.), June issue, 1994 Grant, Simon, Miniatures, Art Monthly, November 1994 Jennings, Rose, Clove Two, Time Out, June 1992 Lekis, Thomas, Kunst, ein Spektrum der Variabilität, Westdeutsche Zeitung, (ill.), 04.04.1989 Zimmermann, Claudia, Mariele Neudecker stellt im Kunsthaus aus, Rheinische Post, (ill.), 08.04.1989 |